We all may be spending a little extra time at home for the next few weeks, so here are some amazing films I loved, all available on NetFlix – some you know, some you don’t, some are worth a second look. The common these, all favourites of mine
The Godfather and The Godfather Part II
Francis Ford Coppola’s mob masterpieces, told from a ground level voyeuristic point of view as if you are a fly on the wall in secret conversations. About 7 hours total, but if you regularly binge watch, you can handle it. Best Pictures of 1972 and 1974.
Monthy Python’s Life of Brian and The Holy Grail
The pinnacle on British humour, so happy to see these two brilliant films on Netflix. Life of Brian was banned all over the world for being blasphemous. Its not, it does not make fun of Jesus or God, just their followers. Holy Grail changed my life and my sense of humour. At age 15 when I first saw it, I was suprised I found something this weird this funny. Two of the most quotable movies ever made.
The Death of Stalin
Can you make a comedy out of the battle for power in Cold War USSR after Stalin keels over? I say, yes you can. This is a bizarre movie, totally unique.
The Imitation Game
They used to call them Turing Machines, they are now called computers. The story of Alan Turing and his contribution to WWII by basically inventing the first computer that could think while he his his secret life.
Before Bong Joon-ho won four Oscars for Parasite, his made this amaing English Language post-apocalyptic class struggle film. Uninque in every way with a great cast.
Dave Chapelle: Sticks and Stone
I love stand up comedy, this is one of the best specials ever made. Its offensive, its supposed to me. So don’t get made at me if you don’t like it. Then again, don’t get mad at me if you like it too.
Eternal Sunshine of the Spotless Mind
Proof Jim Carrey can act. Michel Gondry’s Oscar winning story of an unlikely couple in love, their hardships and how they try to forget each other is the most unthinkable way possible! On my Top 100, great film. An amazing cast, haunting script and arguable Kate Winslet’s best film.
Real Sci-fi, a film designed to make you think about life, struggle, facing fears and what you would be willing to sacrifice for another person or the whole world. Allegorically, very fitting right now.
Three Billboards Outside Ebbing Missouri
Francis McDormand acting clinic. A great film about crime, grief and revenge, but worth the time to watch this masterful actor do her career best work.
Dolemite is my Name
Caution – enough cussing to make Quentin Tarantino blush. Eddie Murphy’s best movie is a decade or more. The story or Rudy May More, the performer whose alter-ego Dolemite became a star of Blaxplotation flix of the 70’s. Extraordinary costume design and a great supporting role from Tony Award nominee Da’Vine Joy Randolph.
Some of today’s biggest stars when they were up and coming. Jonah Hill, Seth Rogan, Michael Cera, Jonah Hill, Bill Hader. Stupid and light but a genuinely funny film.
Guilty pleasure. Denzel Washington beats up and kills people. Just a fun movie, easy to watch. This is an airplane selection for me.
Parasite is easily the most critically acclaimed film of the year and Director Bong Joon-ho has made some other very interesting and unique films. He is a life long student of film making, American films in particular. Perhaps my favourite moments of last night were is nods to Martin Scorcese, one of his idols, and Quentin Tarantino, who has been talking about Bong’s films for a number of years now.
“Parasite” is a winner of four major awards and joins a select few international film films as four time Oscar Winners. (“Crouching Tiger Hidden Dragon” and “Fanny and Alexander” being others). Its will go down in history after 92 years as the first flim entirely in a foreign language to win the top prize. Its a worthy choice in my books. Its not a typical Oscar film by any means.
All four acting categories went as expected. Loved Brad’s speech and Laura Dern’s speech. Renee rambled and Joaquim had a couple of poignant moments but but I would rather hear him talk about developing his character.
If there is one thing I hope people heard, it was his shot against cancel culture, about dismissing people entirely because of one past (often percevied) nistake or joke. “I was a scoundrel” he said, with a great choice of words.
I loved Eminem’s surprise performance of his Oscar winning “Lose Yourself”. Loved it. There is a lot of buzz about “how random” that was today, but those are the same people that will complain about the show being too predictable.
I truly loved James Corden and Rebel Wilson coming on stage in full “Cats” make-up. It reminded me of when I saw the band Styx play their song “Mr. Roboto” live a few months ago. If you are involved with something that bad, own it!
If there was a “tell” early in the evening that “1917” was not going to take top prize, it was “Ford v Ferrari” winning Sound Effects and Editing. The AMPAS did not seem to have same love for “1917” that BAFTA and the Globes did.
The show clocked in about three hours, which , by Oscar standards, is shockingly lean.
The Netflix Resistence
I can’t remember where I read this, but one Oscar columnist called NetFlix the biggest distruption to the movie industry since television and that may be correct. There were a lot of nominations but only a couple of scattered awards. The Academy is yet for fully embrace the (essentially) non-theatrical productions. And many industry heavy-weights, including Stephen Speilberg are pushing to keep non-theatrical releases like “The Irishman” and “Marriage Story” away for the The Oscars.
“The Irishman” has the dubious distinction of 10 nominations and no wins. I would give it Editing and perhaps Adapted Screenplay. Only “The Turning Point” and “The Color Purple” have had bigger shut outs. All other 8 best picture nominees won at least one award.
“Jojo Rabbit” winning for Best Screenpay Adaptation over “Little Women”. I was not a fan.Didn’t hate it but didn’t love it and it would not make my Top 10 of last year. I understand the premise, the playfulness and I love off-beat humour but the whole picture for me was clunky. There were other categories where it could have won.
I was more surprised about “Parasite” winning Best Original Screenplay that Director or Picture. That was a tough category.
“!917” is an excellent film and was on an impressive winning streak working up to last night. I am happy with the win for “Parasite”, especially after last years dismal choice, “Green Book”.
Other Random Thoughts and Things Before I Get Started with My Week
Cynthia Erivo. Wow. Starred, wrote the song and killed it on stage live. Need to find out more about you. That was the true shock of the night for me.
Why didn’t anyone introduce Chrissy Metz?
Thank you Elton for letting Bernie Taupin have his moment first!
The unsung star of the night: Bong Joon-ho’s translator!
For the record, I went 18 for 24. I missed Picture, Director and both screenplays.
I need to see “Learning to Skateboard in a War Zone (If You’re a Girl)”
Another hostless year. A year where there has been no clear front-runner from start to finish. In Oscars, momentum in everything and right now that belongs to “1917“.
The Eight Major Categories
Its been a year of shifting momentum. From “The Irishman” to” Once Upon a Time in Hollywood” and now to “1917”. If “1917” wins, it’s a good choice but not the year’s best movie.
Since the Academy went to as many as 10 nominees, they have switched to a rather convoluted ranked ballot system which can give us unexpected results in this category (Spotlight, Moonlight, Green Book). So even though “1917” is the odds-on fave, don’t at all be surprised if the acclaimed and much-loved (and probably better film) “Parasite” takes top prize and makes Oscar history. “Once Upon a Time In Hollywood” and “The Irishman” seem to be out of the race. For the other five movies, the nomination is the award.
Dan’s Pick: “1917”
Four of the five could win. Todd Phillips seems to be out. In recent years, its been fashionable to split Picture and Director, with Director going to technical achievement films. “1917” is a great film and a towering technical achievement, so this year, as much as I want Tarantino to win his first and as much as Scorcese deserves a second, Sam Mendes will win for “1917”. A very possible upset here would be Bong-Joon-ho for “Parasite”. Mendes is not a foregone conclusion. And the direction in “Parasite” is nothing short of brilliant.
Dan’s Pick: Sam Mendes, “1917” (If QT wins, I will be elated!)
All four acting categories seem like foregone conclusions at this point and there are at least three nominees in each category that won’t even prepare a speech. HOWEVER!!! There are often upsets and surprises in these categories just when you think there is no race at all.
Its “Joker’”s to lose. Joaquin Phoenix has won everything up to this point and this really bizarre speech at the Globes has taken a back seat to his really great speech at the SAG awards. (“I stand on the shoulders of my favourite actor, Heath Ledger”). He is one of the most respected actors in Hollywood and if there is one thing they love, it’s a major physical transformation. He’s overdue.
Dan’s Pick: Jouquim Phoenix, “Joker”
If there is a second thing the Academy loves, it is playing a real person. I have not seen “Judy” but by all accounts, Renee Zellweger nails it. She has been the front-runner since day one and won everything in the otherwise mediocre movie’s only nomination. That said, last year, Glenn Close was the front-runner from day one for “The Wife” and won everything in the otherwise mediocre movie’s only nomination and on Oscar night, Olivia Coleman pulled off the upset for “The Favourite”. If not Renee, then ScarJo in “Marriage Story”.
Dan’s Pick: Renee Zellweger, “Judy”
Best Supporting Actor
Brad Pitt has swept awards season, basically for playing himself. His character, stuntman Cliff Booth is the anchor of this film (as supporting roles often are for QT) and he plays it well. Its an insanely strong category, all five nominees are previous winners and 30 combined nominations, although Pitt has not won for acting. Possible upset, Joe Pesci for coming out of retirement for a wonderful, understated role as mob boss Russell Buffalino.
Dan’s Pick: Brad Pitt, “Once Upon a Time in Hollywood”
Best Supporting Actress
A weak category this year with more people taking about J-Lo not being nominated rather than who was. Laura Dern’s career is on an upswing, she has prior nominations and is well-liked. I see this as once of three or four mortal locks. Laura is easily the best thing in this movie.
Dan’s pick: Laura Dern, “Marriage Story”
Two-way race for two truly original scripts. QT for “Once Upon a Time in Hollywood” and Bong Joon-ho for “Parasite”. Two of the best movies of the year. This one’s a coin toss, but I see Quentin Picking up his third screenplay Oscar.
Dan’s pick: Quentin Tarantino, “Once Upon a Time in Hollywood”
There some controversy of Greta Gerwig being left out of Best Director (and Todd Phillips being included). I am amongst “JoJo Rabbit”’s detractors. I get it, I just don’t think it was well executed. This seems to be a two-way, deadlocked race. Coin toss. I am going with Greta. Possible upset for very popular Taika Waititi for Jojo.
Dan’s pick: Greta Gerwig, “Little Women”
The Consolation Prizes
Best Animated Feature
Sequels have done shockingly poor since this category was announced and “Toy Story 3” already won. That said, with “The Lion King” remake left out, I can’t see how “Toy Story 4” does not win here. Its such a wonderful movie. “I Lost My Body” is also well loved and “Klaus” won the Golden Globes. “Toy Story 4” is the safe choice but by no means a lock.
Dan’s pick: “Toy Story 4”
Best Film Editing
“1917” is a favourite to sweep top awards and technical awards but it not nominated here. That’s really odd, if you find these things odd like I do. “Ford v. Ferrari” has car race scene where, without skilled editing, it becomes a mess. “Parasite” and “The Irishman” have really amazing stories, skillfully edited. Watch the closing act of “Parasite” to see an example of incredible editing as they bring the plot lines to a conclusion. Coin toss here but …
Dan’s Pick: Jinmo Yang, “Parasite”
Robert Richardson has filmed 9 Best Picture nominees. But I don’t think this is the year for this 4th win. Not a bad choice in the lot, all deserving. However, my favourite living Cinematographer elevated the single shot illusion past in “1917” from being a neat trick to an all-encompassing and visceral experience.
Dan’s Pick: Roger Deakins, “1917”
Best Costume Design
Tough call this year. Period Piece (“Little Women”) or War Movie (“1917” or “Jojo Rabbit”). As much as I love “Once Upon a Time in Hollywood”, Brad Pitt’s Champion spark plug-shirt does not deserve an Oscar.
Dan’s Pick: “Little Women”
Best Art Direction
Three strong potential winners here. “Once Upon a Time in Hollywood” for re-creating the city and set of 1969 Hollywood. “Parasite” where every set piece was built for the film. “1917” which strikingly re-creates trench warfare. Tough call.
Dan’s Pick: “Once Upon a Time in Hollywood”
Best Hair and Make-Up
This category expanded to five nominees this year. The crowning achievement seems to be turning Charlize Theron into Megyn Kelly and John Lithgow into Roger Ailes.
Dan’s Pick: “Bombshell”
Best Original Score
The music from “Joker” did not stand out all that much to me. I will have to give it another listen next time I see it. But it seems to be a mortal lock. I am not sure, may be the first woman to win in this category. Certainly, the first Icelandic composer.
Dan’s Pick: Hildur Guanadottir, “Joker”
Best Original Song
“Rocketman” deserved a couple of more nominations, especially for Lead Taron Egerton. (I won’t go into how much better he was than Mr. Robot as Freddie). Elton has an Oscar for The Lion King and is well loved. This would make his long-time writing partner an Oscar winner too.
Dan’s Pick: Elton John and Bernie Taupin, “I am Gonna Love Me Again” from “Rocketman”
Foreign Language Film
Dan’s Pick: “Parasite” (South Korea)
The Technical Categories
De-Aging? CGI Lions? Space Battles? Superheroes? Battle Scenes? Every one of these movies is completely dependent on Visual effects in every last shot and they are all great. But “1917” seems poised for a sweep in these categories.
Dan’s Pick: “1917”
Sound Effects Editing
Dan’s pick: “1917”
See above and above
Dan’s Pick: “1917”
The Educated Guesses, literally. I have seen none. Going by Oscar pick sites.
Documentary Feature:American Factory
Documentary Short : Learning to Skateboard in a Warzone (if you’re a girl)
Siskel & Ebert used to do a show called “If We Picked The Winners” – who they felt SHOULD win the Oscar, rather than who they think will win.
So this is the first of two entries, on the weekend I will post my prediction.
Today I will only talk about the categories where I can make an informed decision (meaning I have seen at least 4 or the 5 nominated movies).
The following are my choices for who I believe SHOULD to win. My picks for who I think WILL win comes later.
Once Upon a Time … in Hollywood
Seen it three times now, love it. Exceedingly well acted, entertaining fun film. 2019 gave us four serious Best Pic contenders, this one, The Irishman, 1917 and Parasite, but OUATIH is the best in class. Not Tarantino’s best movie but worthy of this Oscar.
Sam Mendes – 1917
A exceptional war film, singular story telling and technically just brilliant. Strong category this year with the exception of Todd Phillips.
Like most people I have not seen “Judy” so I can’t make a call here. I also did not see “Harriet” yet. And my vote for Best Actress, Lupita Nyong’o in “Us” was not nominated.
Leonardo DiCaprio – Once Upon a Time in Hollywood
Narrowly getting my vote over Jaoquim Phoenix in “Joker“. Leo creates a character, 3 dimensional, both sympathetic and dislikeable. A great role. He doesn’t stand a chance.
Laura Dern – Marriage Story
I go with the concencus here, narrowly over ScarJo in “Jojo Rabbit” – a movie I didn’t really like but she made a lot better. Laura Dern is excellent in “Marriage Story“., easily the best thing about an otherwise overrated picture.
Al Pacino – The Irishman
Who chews scenery better than Pacino and he does some career best work here as Jimmy Hoffa. Again, like Leo, has zero chance but he is the standout in this year’s strongest category (5 nominess have 30 Oscar nominations between them).
Quentin Tarantino – Once Upon a Time in Hollywood
QT may write dialogue better than anyone else in the movies right now and this year’s script is no exception. If he pulls off the win, he will be one of only four screen writers with three screenplay Oscars. This is a super tough category. Any nominee could win and I wouldn’t be upset. The story line of “Parasite” is Oscar worthy as well.
Steve Zallian – The Irishman
This movie is getting criticized for its 3.5 hour running time but the writing is some of the best of the year. Its best moments are its quietest ones, with veteran actors chatting over wine or Corn Flakes.
Roger Deakins – 1917
If I did have a ballot, this would be the category I ponder over the most. Robert Richardson is a 3-time winner, genius and does amazing work for Tarantino. Lawrence Sher paints “The Joker” in a bleak, nihilistic way that is still stunning. But Deakin’s leading edge work to make “1917” appear to be a single unbroken shot deserves to win, and probably will.
SOUND / SOUND EFFECTS EDITING
Full stop, hands down, this film is an immersive visceral experience.
Jinmo Yang- Parasite
Interesting category. The odds-on fave for Best Picture (1917) is not nominated, which is really unusual. “Parasite” is brilliantly assembled. A movie like “Ford v. Ferrari” tends to win. The great Thelma Schoonmaker just turned 80, she has 3 wins and 8 nominations, all for Scorcese. (She has been around long enough that she was not eligible to be nominated for her first movie because women were not allowed in the Editor’s Guild!).
I’m Gonna Love Me Again – Rocketman
I mean, how can I not vote for Elton and Bernie.
John Williams – The Rise of Skywalker
I will admit, on my make-believe ballot, I would conciously vote for this lifetime achievement award for this living legend.
The Lion King
Narrowly over Endgame. Lion King is nothing but visual effects and the attention to detail is jaw-dropping.
Once the Oscar nominations are announced, the front-runner is usually considered the movie with the most nods. This year, its a crowded bunch: Joker with 11, The Irishman, Once Upon a Time in Hollywood and 1917 each with 10. Jojo Rabbit, Little Woman, Marriage Story and Little Women each have 6
The biggest surprise (for me) easily is that “Joker” is leading the pack with 11 nominations. Its a good film, but it is elevated by an exceptional acting performance. Its a good movie to be sure, Top 10 of the year, but not that good.
I don’t see Joker sweeping – Best Actor, Original Score and maybe one other.
In the last 19 years, the movie with the most nominations has only won best picture five times. I see this year repeating pattern. In addtion to that, it has been very common of late to give Best Director and Best Picture to two different films.
Last year the fluffy, feel good “Green Book” won the big prize so I don’t see something this dark and nihilistic going down as a best pic.
Always a hot topic. this year is no exception.
I was really hoping to see Lupita Nyong’o nominated for her jaw-dropping dual role in Jordan Peele’s “Us”. That movie came out in February and Oscar Voters have notoriously short memories.
I am quote shocked to see Todd Phillips nominated for “Joker” and Greta Gerwig left out for “Little Women” in the Best Director category. Gerwig is nominated for her Adapted Screenplay and is one of two favourites. But her work here is worthy and her exclusion is probably the most talked about one this year. Both are “end of ballot” nominations but it would have been good to have Greta there again after her great work in Lady Bird.
Lulu Wang’s semi-autobiographical “The Farewell” was shut out completely. This for me is the biggest surprise. Its an excellent, touching film with an Oscar worthy performance from Akwafina. I expected four nominations here. (Picture, screenplay, Actress, Supporting Actress).
There was some talk of J-Lo sneaking in for “Hustlers”. What appears to be the fifth and final spot in that category went to Kathy Bates for “Richard Jewell”. I don’t consider this a snub. Its a not a strong category this year and Laura Dern is mortal lock for role as the supportive yet vicious divorce lawyer in “Marriage Story”. When there is a prohibitive front-runner, the nominations at the end of the ballot can get surprising.
Jonathan Pryce is somewhat of a surprise nominee for “The Two Popes” and seems to have bumped Robert DeNiro off the ballot for “The Irishman”. Both solid performances, neither have/had a real chance.
I was also expecting Ruth E. Carter (costumes) and Da’vine Joy Randolf (Supporting Actress) to be nominated for the wonderfully entertaining “Dolemite is My Name“.
If you have not seen this incredible film from South Korean Director Bong Joon-ho, do yourself a favour. Its subtitled but its an thrilling, odd, genre-bending movie, the likes of which I have never seen.
I am delighted to see its 6 nominations, it could have had more.
Also watch Bong’s “Snowpiercer”, currently on Netflix. Another entirely unique film.
BEST SUPPORTING ACTOR
Pitt, Pesci, Pacino, Hanks, Hopkins. Wow.
30 nominations and six wins between them. More on this category in another article.
CURRENT FRONT-RUNNERS in the MAJOR 8 CATEGORIES
BEST PICTURE: Seems to be a battle between “Once Upon a Time in Hollywood” and “1917”. I would love to see QT win.
BEST DIRECTOR: Sam Mendes has an Oscar already for “American Beauty” and has done well so far this awards season. Bong Joon-ho has a lot of love for “Parasite” and Quentin is long over due. Mendes is the likely winner but by no means a lock.
BEST ACTOR: Close to a mortal lock for Jaoquin Phoenix for “Joker”. Second place right now appears to be Adam Driver for “Marriage Story“. I did not care for his role that much.
BEST ACTRESS: I have not seen “Judy” (nor has anyone else apparantly) but Rene Zellweger has topped the list for her performance as Garland for months. No one else seems to be close. But one has to wonder if her rather bizarre speech at the Globes hurts her changes. That said, right now on the sites I follow, no-one else is being talked about.
SUPPORTING ACTOR: Likely Brad Pitt, don’t count out Joe Pesci, who came out of retirement for an uncharacteristically subtle, low key performance as mob boss Russell Buffalino in “The Irishman“.
SUPPORTING ACTRESS:Laura Dern, mortal lock at this point. Her performance is easily the best thing about “Marriage Story“.
ORIGINAL SCREENPLAY:Quentin Tarantino will likely win an third Oscar here and his writing in “Once Upon a Time in Hollywood” is nothing short of brilliant. However, Parasite winning here would not surprise me. The Academy may want to honor Bong and his movie and this is its best chance.
ADAPTED SCREENPLAY: Seems like a race between Greta Gerwig for “Little Women” and Steve Zallian for “The Irishman“. Zallian has multiple nominations and a win for “Schindler’s List”. Greta Gerwig will likely be honoured here for her movie that is very well-liked.
Five years ago today, I completed by Top 100 and posted the list here. Its time now to post the list again, with some shuffling and changes. Some movies haven’t aged as well, some have gotten better and some new additions.
“The Dark Knight” is now in my Top 20. I have seen it more than a dozen times and it gets better each time.
“Inglorious Basterds” just outside the Top 20.
Added two “Multi-Movie Entries”:
Toy Story 1-4 added at #34. A remarkable achievement with almost the same core cast and characters that have become part of the public concious.
Richard Linklater’s “Before” movies, the trilogy of Celine and Jessie. Wonderful films that tell the story of an impossible love.
Added Hitchcock’s “North by Northwest”, wondering how I excluded it the first go around.
Added Adam Egoyan’s “The Sweet Hereafter”, an exceptional guy wrenching movie and the best Canadian film ever made.
Added three new from this Decade’s Top 10, “Spotlight”, “Arrival” and “Three Billboards Outside Ebbing Missouri.”
As a result six movies (Avatar, Planet of the Apes (68), When Harry Met Sally…, Wall Street, Bell Epoque and Say Anything) fall off the list.
I am often asked for movie recommendations and this list is a great place to start.
Dan’s Top 100 Movies (Jan 1 2020)
The Godfather Part II (1974 – Coppola)
Goodfellas (1991 – Scorsese)
The Godfather (1972 – Coppola)
Amadeus (1984 – Forman)
Singing in the Rain (1952 – Donen)
Pulp Fiction (1994 – Tarantino)
Raging Bull (1980 – Scorsese)
West Side Story (1961 – Wise & Robbins)
A Fish Called Wanda (1985 -Chricton )
The Lord of the Rings Trilogy (2001,2002,2003 – Jackson)
This is Spinal Tap (Reiner – 1983)
Raiders of the Lost Ark (1983 – Spielberg)
Citizen Kane (Welles – 1941)
Fargo (1996 – Coen)
Platoon (1986 – Stone)
Casablanca (1943 – Curtiz)
Vertigo (Hitchcock – 1958)
Schindler’s List (1993 – Spielberg)
The Dark Knight (2008 – Nolan)
WALL-E (2008 – Stanton))
Inglorious Bastards (2009 – Tarantino)
Taxi Driver (1976 – Scorsese)
The Empire Strikes Back (1980 – Lucas)
Apocalypse Now (1979 – Coppola)
Tootsie (1982 -Pollack)
Monty Python and The Holy Grail (1974 – Gilliam)
Moonstruck (1987 – Jewison)
All The President’s Men (1976 – Pakula)
Spotlight (2016 – McCarthy
The Silence of the Lambs (1991 – Demme)
A Clockwork Orange (1970 – Kubrick)
Patton (1970 – Schaffner)
Mississippi Burning (1988 – Parker)
Toy Story 1,2,3 & 4 (1995, 1999, 2010 & 2019 – Pixar)
The Color Purple (1985 – Speilberg)
Midnight Express (1976 – Parker)
Being There (1979 – Ashby)
The Searchers (1956 – Ford)
Dog Day Afternoon (1975 – Lumet)
Breaking Away (1979 – Yates)
Some Like it Hot (1959 – Wilder)
Stop Making Sense (1984 – Demme)
Nashville (1975 – Altman)
Before Sunrise (1995) Before Sunset (2004) Before Midnight (2013) (Linkater)
Smith Goes to Washington (1939 – Capra)
Arrival (2016 – Villeneuve)
Pan’s Labyrinth (2006 – del Toro)
To Kill A Mockingbird (1962 – Mulligan)
Robocop (1987 – Verhoven)
Young Frankenstein (1974 – Brooks)
High Noon (1952 – Zimmerman)
Jaws (1975 – Spielberg)
Bladerunner (1982 – Scott))
Saving Private Ryan (1998 – Spielberg)
The Third Man (1947 – Reed)
Scarface (1983 – DePalma)
The Up Documentaries (1966 to present – Apted)
Do the Right Thing (1989 – Lee)
Strangelove: Or, How I Learned To Stop Worrying And Love the Bomb (1964 – Kubrick)
North by Northwest (1959 – Hitchcock)
Three Billboards Outside Ebbing, Missouri (2017 – McDonagh)
Alien (Scott – 1979)
Aliens (1986 – Cameron))
Duck Soup (1933 – McCarey)
On The Waterfront (1954 – Kazan)
The Departed (2006 – Scorsese)
Glengarry Glen Ross (1992 – Foley)
Die Hard 1988 – McTiernan)
E. T. The Extra Terrestrial (1983 – Spielberg)
City Lights (1931 – Chaplin)
The Shawshank Redemption (1993 – Darabont)
Who Framed Roger Rabbit (1985 – Zemeckis)
2001 A Space Odyssey (1969 – Kubrick)
The Little Mermaid (1992 – Clements/Musker)
Psycho (1690 – Hitchcock)
The Producers (1968 – Brooks)
Hannah and Her Sisters (1986 – Allen)
Hoop Dreams 1994 – James)
Army of Darkness (1992 – Raimi)
The Sweet Hereafter (1997 – Egoyan)
The Big Lebowski (1998 – Cohen)
The Nightmare Before Christmas (1993 – Sellick)
Bride of Frankenstein (1935 – Whale)
Letters from Iwo Jima (2006 – Eastwood)
Gravity (2013 – Cauron)
The Wizard of Oz (1939 – Fleming)
The Fog of War (2003 – Morris)
Moulin Rouge 2001 – Luhrmann)
Terminator 2 – Judgment Day (1991 – Cameron)
Millers Crossing (1990 – Coen Brothers)
12 Angry Men (1957 – Lumet)
21 Grams (2003 – Innaratu)
The Princess Bride (1989 – Reiner)
The Philadelphia Story (1940 – Cuckor)
Ghostbusters (1983 – Reitman)
Eternal Sunshine of the Spotless Mind (2004 – Gondry)